Italy
Ukrainian journalists’ dilemma: which truth do we tell first?
“Why should we need an investigation into state corruption if the Russians want a Ukrainian state not to exist at all?” This is one dilemma that Ukrainian journalists have to face. Since 24 February 2022, they have changed their way of reporting, Il Foglio explains, and they remain a watchdog of power, but their priorities have transformed. According to the journalists interviewed, it’s not a matter of censorship; it is possible to criticise and investigate, but their priority is survival. One interviewee says the first rule is “Do no harm, no damage, no destruction.” They recount failures in the state apparatus, but if they report on misdemeanours in the wrong way, this could, for example, compromise aid from Western countries. (Il Foglio)
Despite EU directives that prohibit the right “to sell, supply, transfer or export firearms, their parts and essential components and ammunition” to Russia, also for civilian use, the trafficking of arms has continued in an indirect way, IrpiMedia reveals. Through companies or third countries’ mediation, such as Turkey, Italian companies still sell their products to Russia. Since February 2022, a total amount of 6,254 rifles and pistols and 1,107,600 cartridges, manufactured in Italy or owned by Italian brands have been exported to Russia. There is no evidence that these rifles were used in Ukraine, the authors explain, but this supply still “helps strengthen the defensive capacity of the invader”. (IrpiMedia)
Intercepted, a film by Ukrainian director Oksana Karpovych, was born in the first days of full-scale invasion and is based on the intercepted phonecalls of Russian soldiers, mostly with their families, made public by the Ukrainian secret services. The film, which premiered at the Berlinale, combines locations destroyed in Ukraine and the voices of Russian soldiers: “I gradually created two parallel realities where the words of war were opposed by images of a suspended time, in a constant tension,” says the director in an interview. (il manifesto) |